Dear Hamline MFAC friends,
I’m writing you from HU 211 where I now teach English 101
twice, two days a week. The inner city campus of the local community college
has somehow decided to welcome me on board. Just four blocks from my former art
studio, the campus is one large system of buildings with a view of uptown from
where I park my Soul in the back lot every Monday and Wednesday. My classroom
is filled with the slim table desks and chairs, four posters of Frida Kahlo, a
twenty-foot white board, and an ad from the Nelson-Atkins Museum of Art exhibit
from 1992. The lighting isn’t too terrible. The carpet is a nice gray check,
and as they said when I first came in, I’m “exactly the kind of person they are
looking for.” I have no idea what that means.
For six hours a week, I have to find something to say,
something about writing. Looking into the vast subject of words and how we use
them, I’m searching for all the unspoken things from my undergrad classes. What
I say from week to week must build a bridge to a place that students may care
to go. Students who overwhelmingly chose
to write their first essays on why college is not really that important to
getting a great job. Students who catch up on sleep outside the adjunct office,
or watch TV by phone in between classes. Students who have said, they really
like my class.
So every time I prepare for class, I ask myself what I’m
going to say that’s worthwhile. Because I’m someone who loved to skip class,
sneak out when the professor’s back was turned, write all my assignments at 2
am the night before without revising. There was the time I left class because
the professor touched the end of his nose too often. A couple of times I
skipped Ethics because the rather
overheated professor like to raise his arms a lot. Once I even spoke loudly
about a teacher’s pedagogy as he came up behind me on the sidewalk. If there is
one thing I’ve come to recognize the last few years, is what youth really
means. The hilariousness of it. The wonderful bliss of ignorance. The amazing
aptitude for discovering something new.
Every time I prepare for class, I ask myself what I’m going
to do to make it interesting. I remember the professor who introduced me to
poetry. Writing a paper about that poem, changed the entire course of my life,
made me who I am as a person, and continues to effect each and every thing I
do: how I think, how I process, and how I chose to pursue my creative life. I
remember the lectures that brought me to tears, made me wonder about the
universe, or helped me understand just how little I really knew about the
world.
Every time I prepare for class, I ask myself where I want
these students to go. My answer: I want them to fly into the future on wings
made of words, words made into sentences - sentences formed into a path they
can walk on; into the place they were meant to be.
I guess I’m surprised to suddenly become an English Professor. I think I like it.
I guess I’m surprised to suddenly become an English Professor. I think I like it.
Polly Alice
author and illustrator, opened New
Thing Art Studio in 2015 back home in Kansas City-- where she paints,
illustrates children’s books, and teaches college writing. Her work is often
mixed media. “I create my art to be more like poetry: to have symbolic meanings
layered from dream images and memories.” Her work centers on healing, small loves,
and the every day. Polly is a proud Hamline MFAC alumna. She won the 2014
Ernest Hartmann award from the International Association for the Study of Dreams
from Berkley CA for her research on self awareness for writers and artists
through dreamwork. She loves letters.
Write her anytime and you’ll be sure to get one back.
Polly, how lucky those students are to have such a thoughtful, creative teacher. Thank you for sharing your journey.
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