Showing posts with label My Country Tis of Thee. Show all posts
Showing posts with label My Country Tis of Thee. Show all posts

Monday, December 1, 2014

Faculty Voices with Claire Rudolf Murphy—A Writer’s Gratitude List: John Lewis #1

Claire Rudolf Murphy
I began this post before Maggie Moris’ thought-provoking gratitude post. Thank you, Maggie, for reminding us about the deep work we writers doevery day. I too am grateful for the challenges my writing life presents and for other aspects about this life that I don’t always appreciatemy supportive friends and husband, agents and editors who tell it straight and send me back to the work, the students, alums and faculty of the Hamline writing community that feed me in so many ways. And I am thankful for one of the most incredible experiences of my writing life that took place out in the world, not at my desk.

Please bear with my excited verbiage about my recent trip to Washington, D.C. for the National Council of Teachers of English conference. I am so very grateful. I flew out two days early to experience our nation’s capital again. Because I write about history, I wanted to visit the halls of power again where so many decisions have been made, to be reminded again about the evolution of our country. Thanks to Hamline alum Ellen Kazimer, a history geek like myself, we got around brilliantly. The second day we visited Mount Vernon where I came to appreciate our first president more deeply and to embrace the fact that he graces the cover of my new book My Country Tis of Thee, rather than Aretha Franklin. We also met an awesome fife player and guide whose interactions with third graders on our tour modeled ways to help young people enjoy history.

But the first day rocked my soul. Ellen and I toured the Supreme Court and the capital. Across the hall from my senatorMaria Cantwellis Al Franken’s office. Ellen and I were delighted to take a photo in front of the Minnesota college pennants on his wall and tell the office staff all about the Hamline MFAC program. Then we heard testimony on immigration on a mostly empty Senate floor, some of it inflammatory behind belief. But I want to focus on the positive, on what came next.

Ellen and I arrived at Congressman John Lewis’ office about fifteen minutes ahead of the interview time. I had met John at ALA last summer and he had agreed to discuss my new book project with me. Even so, I was delighted when his scheduler set me up with a face-to-face interview, only requesting the questions ahead of time.

We had to wait awhile as the House was actually working that day, voting on some bill. Like a cat on a hot tin roof, I could barely sit still. Ellen admitted later that she was surprised how nervous I was. I was too. But John Lewis was my heroFreedom Rider, speaker at the March on Washington, a member of Bobby Kennedy’s presidential campaign staff and, most importantly, the last civil rights activist serving in Congress. The 45 minute delay was a blessing. Ellen and I were allowed to stand in his office, which is like a museum to the Civil Rights movement and full of plaques honoring John’s service to our country. Bobby’s poster can be seen in the photo Ellen took of me and John.

He’d been on the go all day, but when he arrived, he asked us if we needed something to drink. To drink! I know, I know. My students are thinking to themselves how much I abhor exclamation marks. But . . . that’s how it went down. He was gracious and thoughtful and considered every question. We had a great conversation about his time with Dr. King and the Kennedys. All my questions were answered, and I only glanced once at my list. In closing I asked him what I should write about today’s racism challenges, what I should say to young people.

“Tell them never to lose hope. We have to have hope.”

John Lewis should know. He’d been beaten senseless as a Freedom Rider in 1962, lost Dr. King and Bobby within two months of each other in 1968, seen Congress devolve to petty partisan politics. He didn’t cover up his pain during our interview. He’s just risen above it. He’s used that pain to keep going. My hero gave me sixty minutes of his precious time. Afterwards he left to receive another award - from the Washington Historical Society. But he talked to me like he had all the time in the world.

NCTE was wonderful. I got to meet librarians, teachers and college professors who love kids’ books as much as do. I had coffee with the amazing Emily Jenkins and we chatted about our upcoming residency. I listened to Bryan Collier discuss how he painted the illustrations for My Country Tis of Thee, and learned that he stood on the Rotunda that cold, cold January day with his five year old daughter when President Obama was inaugurated and Aretha sang.

I will never forget that hour with John Lewis. Whenever I get down and out about my writing, politics or global warming, I am going to remember his words: “We have to have hope.”

John Lewis, you give me that hope. I can only pray for a smidgen of the courage you have shown us all. And writers out there, don’t ever hesitate to ask for an interview with one of your heroes. We need their stories, and you just might be the one to write it.





Monday, June 9, 2014

Claire Rudolf Murphy: My Country 'Tis of Thee



This installment of the Inkpot Interviews welcomes Claire Rudolf Murphy on the occasion of the release of her  newest book, My Country 'Tis of Thee (Brian Collier, illustrator, Henry Holt, publisher.)  

Please describe the book.
More than any other, one song traces America’s history of patriotism and protest. Everyone knows the words to “My Country, ’Tis of Thee.” What most don’t realize is that this iconic song has been a beacon of change for hundreds of years. Generations of protesters and civil rights pioneers have created new lyrics, beginning in royalist Britain and continuing through conflicts in colonial times, the American Revolution, the suffragist and labor movements, and the struggles for black and Native American civil rights.

As the story progressed from inception to copy-edited version, what were the major changes? How did those changes come about? When did you first begin work on it? When did you finish?
This is one of my projects that simmered for years as I researched individuals throughout American history who had stood up for equal rights. I couldn’t find a riveting structure to hold all this material until I came across the suffragist verse to this familiar song. I can remember the moment when I thought—wow—I wonder if other protest groups also wrote verses for causes they believed in. I began discovering that they had from colonial protestors to abolitionists to Native American activists. Without all my research, I don’t believe I would have recognized what a great vessel this was to tell our country’s civil rights’ history. It is important to keep writing, to not give reviews too much power, but when esteemed librarian Betsy Bird “got” what I was trying to do, I must admit to sheer delight.
The marketing/publicity component of publishing is not a forte of mine, but the format of the book helped me use two of my strengths—a love of music and working with students—in my promotional efforts. Two local Spokane choirs recorded the verses from the book and they are now available on my web site for online listening.
My invitation at the end of the book to “write a new verse for a cause you believe in” has led to a national contest, inviting classes and individual students to submit new verses for a chance to win a book or a poster of Aretha Franklin singing at President Obama’s inauguration. New verses from Spokane students were shared at my book reading June 7th, such this one by a class of 5th and 6th graders.
My country ‘tis of thee
So sad the poverty
Homeless abound.
God keep them in your sight
Help us relieve their plight
Shelter them for the night
New hope is found.

Spread the word. The national contest will run the month of September and entries can be submitted online.

Your first book was published in 1991many, many years ago. What have you learned about the business of writing since then?
To keep believing in myself and my work, even when the market seems to be changing. My creativity is at its best when I am charged and confident and not worried about what publishers are looking for, but how best to tell a story that I believe in. I have also learned that rather than be intimidated by the new social media, my tech savvy friends will back me up and help get the word out there. We help each other in different way s and that’s what helps us survive this challenging and exciting writing world we live in.

Where do you do most of your writing?
I’d like to say at my desk looking out over the park, with nature and dog walkers inspiring my every word. But due to my busy mind, sometimes I end up upstairs in front of my light box, on the couch with my laptop, or when really desperate—at the Gonzaga University law library where no talking, internet or phone calls are allowed.

Do you remember the first book you loved?
Little Women. I know that it sounds cliched, but I truly loved that book and wanted to be—not Jo, the writer and actress, but Beth, the pianist and beloved sister. Yes, I know that she died. So today I hope I can be brave like Jo and kind and loving like Beth. I know, quite a lot to live up to, but that’s what books can inspire in us. I also read every juvenile biography on the shelf at our public library.

What meal would you serve to friends?
How I love to go out to dinner and be served. But lately I have become somewhat like Katherine Hepburn who stopped going out to restaurants because she was always disappointed with food or service. I eat mostly a vegetarian diet, so this time of year we are in garden heaven with all the fresh produce making its way to our table. What could be better? Times like this I wish that I lived closer to Hamline, so I could see some of my dear writer friends more often and talk over wine, pasta and fresh veggies.

***
To learn more about Claire and her writing, please visit her website.