What do you do when you're not working on packets?
When I’m not working on packets, I spend time with my family: my husband, Bob,
and my three children, Allison, Levi, and Cole. We like to travel/explore,
watch movies, play board games/video games, swim (though I flounder), ski, bowl,
rake yard debris… We like just about any activity when we’re together. I also
have this gig as an emergency room physician that sucks up a bit of my energy. When
I have free time to myself, I like to read and—get this—write.
How did you hear about the Hamline MFAC Program?
Mary Rockcastle and Gary Schmidt
attended an Iowa SCBWI conference. Mary gave a breakout session about the
Hamline program. I had no interest in an MFA in creative writing, but the other
breakout session sounded even more boring, so… As Mary talked about the
program, I sat up straighter in my chair. I stopped yawning. My pulse
quickened. By the end of the session, I thought “This is exactly what I want to
do.” But I had doubts about whether I could devote the time and money. Then, on
Saturday evening, Gary Schmidt gave the keynote address. He spoke about writing
for children with such passion that the whole auditorium was crying by the time
he finished. I’m not a crier, but Gary hit a nerve. My nose was so snotted up,
I knew I had to try Hamline.
What was your writing experience prior to entering the program?
I’ve been writing since I was in
grade school. I don’t like to brag, but at age 11, I was named “Creep of the
Week” by a local television show for my story “The Green Slime.” In junior high
I won a poetry contest and I got to meet a real live poet on the “Arts Afloat”
boat which travelled down the Mississippi river. I’ve had a medical related
short story, medical essays, and poetry published in magazines, but my desire
for several years has been to write for children. I write in every spare
minute. Writing is my drug—I couldn’t stop if I tried.
What do especially remember about your first residency?
I remember a miraculous January in
Minnesota where the temperatures were in the fifties, and every day I walked to
class from the Best Western Bandana Inn with a group of fellow students and
faculty. We talked about writing. We talked about how life often gets in the
way of our writing. I felt like I belonged.
Have you focused on any one form (PB, novel, nonfiction; graphic novel) or age group in your writing? Tried a form you never thought you’d try?
I’ve focused mostly on middle grade
novel writing. I’ve written tons of picture books in the past which were
unanimously panned by my critique group. At Hamline, I finally gained some
understanding of the complexity of picture books, and I included a couple of
them in my creative thesis. I also expanded into chapter books, some poetry,
and I wrote a YA novel for my creative thesis. As I leave Hamline, I have a
yearning to try non-fiction, verse novels, and graphic novels.
Tell us about your Creative Thesis.
The bulk of my creative thesis is a
YA novel—a twisted, snarky version of the movie It’s a Wonderful Life, where sixteen-year-old
Sparrow Bailey muses about various forms of suicide while missing the big
picture. I also included two picture books: Mrs. Hyde Dances, about a
teacher who dances after the students go home, and What Zosie Wants about
a girl whose mother never gives her what she wants.
What changes have you seen in your
writing during your studies?
The manuscripts I wrote pre-Hamline (which seemed like God’s gift to literature at the time) now look amateurish to me. Medicine is my first profession and it’s true that there is an art and a science involved in taking care of patients. In medical school, we first learned the science, and later the art. With writing, I feel like I’ve spent my whole life wallowing in the art, but I needed the science—the structure that comes from studying the elements of craft—that’s what Hamline provided for me.
The manuscripts I wrote pre-Hamline (which seemed like God’s gift to literature at the time) now look amateurish to me. Medicine is my first profession and it’s true that there is an art and a science involved in taking care of patients. In medical school, we first learned the science, and later the art. With writing, I feel like I’ve spent my whole life wallowing in the art, but I needed the science—the structure that comes from studying the elements of craft—that’s what Hamline provided for me.
Any thoughts for entering students or for people considering the program?
***
The public is welcome to attend the graduate recognition ceremony on Sunday, January 19, 3:30pm, (Anne Simley Theatre, Drew Fine Arts Building). Jane Yolen is the speaker.
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